LAX INSTALLATIONS: YOUR BODY IS A SPACE THAT SEES
Lia Halloran’s Your Body Is a Space That Sees can be seen in two unique installations at Los Angeles International Airport. In Terminal 1, select framed works from Your Body Is a Space That Sees as well as historical references for the series’ inspiration are on display. A new experience featuring three enlarged pieces, each nearly 20 feet tall, fills a hall in Terminal 3. Both works are two the right of the respective terminal security checkpoints.
Terminal 3
On view 2022-2026. Text by Author Dava Sobel:
In “Your Body Is A Space That Sees,” Los Angeles artist Lia Halloran combines ink and light to celebrate women’s contributions to science. Her large-scale cyanotypes recall telescopic views of the night sky, captured in photographic emulsion on glass plates in the late 19th and early 20th centuries, and used by a group of female astronomers to make extraordinary discoveries about the universe.
Halloran begins each piece by painting her impression of an astronomical image, in ink the color of midnight, on a sheet of transparent drafting film. The image immediately to your left is an original ink-on-film rendering of this kind. Such a painting can also serve as a negative: When overlaid on chemically treated paper and left outdoors to absorb the California sunshine, the painted negative produces a blue-hued cyanotype print of the same vision. The three very large images further to the left are blow-ups of Halloran’s distinctive cyanotypes.
Time figures importantly in these artworks. All astronomical imagery offers a look back in time, to the moment when light left the object under study. Although the human eye registers only the impression of a moment, an artist or a photographic plate can collect light over a period of hours and present a composite view of entities too faint for the eye to register at a glance. The turn-of-the-century photographic negatives that Halloran examined were made by long exposure to starlight falling through telescopes onto glass plates coated with photographic emulsion. Halloran’s cyanotypes emerge through exposure to the light of the nearest star, our Sun.
Although sunlight and starlight contain all colors, the iron salts employed in the cyanotype process respond only to ultraviolet light, which turns them Prussian blue.
The titles of these works acknowledge the individual women who drew new truths from close study of the glass plates. For example, one of them determined that stars consist mainly of hydrogen and helium, while another divined a means for measuring distances across deep space. Williamina Fleming, who served as both astronomer and curator of the several hundred thousand astronomical photographs at Harvard, was the first person to divine a shape resembling a horse’s head among the stars of the constellation Orion, the Hunter.
Development of “Your Body Is A Space That Sees” was supported by an Art Works grant from the National Endowment for the Humanities. The artist is represented by Luis De Jesus Los Angeles, where this series was first shown. It has since traveled as a solo exhibition to the Lux Art Institute in San Diego, the Schneider Museum of Art in Ashland, Oregon, and the University of Maryland Art Gallery, College Park.
Lia Halloran is Associate Professor and Chair of the Department of Art at Chapman University in Orange, California, where she also teaches courses that explore the intersection of art and science. You can see more of Lia Halloran’s work at: www.liahalloran.com or on Instagram. Learn more about this installation here.
Exhibition text by Dava Sobel, author of Longitude, Galileo’s Daughter, and, most recently, The Glass Universe, which tells the hidden history of the women whose contributions to astronomy expanded our understanding of the stars and our place among them.
Terminal 1
On view 2021-2023. Text by Author Dava Sobel:
In “Your Body Is A Space That Sees,” Los Angeles artist Lia Halloran combines ink and light to celebrate women’s contributions to science. Her large-scale cyanotypes recall telescopic views of the night sky, captured in photographic emulsion on glass plates in the late 19th and early 20th centuries, and used by a group of female astronomers to make extraordinary discoveries about the universe.
Halloran begins each piece by painting her impression of an astronomical image, in ink the color of midnight, on a sheet of transparent drafting film. Three of the works you see to your right are original ink-on-film renderings of this kind. But such a painting can also serve as a negative: When overlaid on chemically treated paper and left outdoors to absorb the California sunshine, the painted negative produces a blue-hued cyanotype print of the same vision.
Time figures importantly in these artworks. All astronomical imagery offers a look back in time, to the moment when light left the object under study. Although the human eye registers only the impression of a moment, an artist or a photographic plate can collect light over a period of hours and present a composite view of entities too faint for the eye to register at a glance. The turn-of-the-century photographic negatives that Halloran examined were made by long exposure to starlight falling through telescopes onto glass plates coated with photographic emulsion. Halloran’s cyanotypes emerge through exposure to the light of the nearest star, our Sun.
Although sunlight and starlight contain all colors, the iron salts employed in the cyanotype process respond only to ultraviolet light, which turns them Prussian blue.
The titles of these works acknowledge the individual women who drew new truths from close study of the glass plates. For example, one of them determined that stars consist mainly of hydrogen and helium, while another divined a means for measuring distances across deep space. More information about them is available in the display case to your left, where you can also see a replica of a glass plate from 1897. The silver-colored background in the display case is reminiscent of the silver compounds that give photographic film its sensitivity to light.
Development of “Your Body Is A Space That Sees” was supported by an Art Works grant from the National Endowment for the Arts. The artist is represented by Luis De Jesus Los Angeles, where this series was first shown. It has since traveled as a solo exhibition to the Lux Art Institute in San Diego, the Schneider Museum of Art in Ashland, Oregon, and the University of Maryland Art Gallery, College Park.
You can see more at:: www.liahalloran.com or on Instagram. Learn more about this installation here.
Press
“LAWA Unveils Four New Art Exhibitions on Display in Terminals 2/3,” LAWA News Release
“In the Galleries: L.A. Professor Finds Heavenly Inspiration in Harvard Computers,” Mark Jenkins, The Washington Post
“At Lux, Lia Halloran Creates the Experience of Science Through Art,” G. JAMES DAICHENDT, The San Diego Union Tribune
“At UMD’s Art Gallery, Lia Halloran Pays Homage to Early Women in Astronomy,” Morgan Pravato, The Diamondback
“Artist's Stunning New Exhibit Celebrates Harvard's 'Hidden' Female Astronomers,” Calla Cofield, Space.com
“Review: Before ‘Hidden Figures,’ There Were the Harvard Computers. Now Their Work Has Inspired This Art,” Sharon Mizota, Los Angeles Times
"Your Body Is a Space That Sees: Artist Lia Halloran’s Stunning Cyanotype Tribute to Women in Astronomy." Brain Pickings, Maria Popova
"This Exhibit Makes Cosmic Art Out Of The Night Sky." Jennifer Ouellette, Gizmodo Australia
“Warped Beautiful Space,” Darling Magazine
“Blueprints Of Space,” Ernest, No. 5
“Into the Blue,” Chapman Now