Learn about Lia Halloran’s visual inspiration for the artwork featured in Janna Levin’s Black Hole Survival Guide, “which aims to visualize the inherently invisible.”

Recently interviewed by Ricky Amadour, Lia Halloran discusses her latest series and how her artwork intersects with science.

Sky & Telescope’s Dec. 2021 issue features Lia Halloran alongside Dava Sobel while exploring the life and legacy of early 20th-century astronomer Henrietta Swan Leavitt.

With the majestic radiance of stained glass windows, the cosmic imagery of planetarium ceiling murals, the fractal arabesques of primordial soup, and the precise geometrical armatures of ancient architectural motifs, a suite of four cyanotypes at monumental scale by Lia Halloran — actually two cyanotypes and their corresponding 1:1 scale hand-painted negatives — are made both by and about the power of the sun.

Article by Shana Nys Dambrot continues…

Now my friends, brace yourselves for a “sublime cosmic phenomenon” of the exhibition by maverick, Los Angeles artist, Lia Halloran (b. 1977) at Luis De Jesus Gallery. The exhibition title, The Sun Burns My Eyes Like Moons, refers to photographs Halloran took during the total solar eclipse in 2017. This body of work is her homage to the sun… Saturated with blues, black and pops of color, Halloran's painting “evokes the overwhelming grandeur and luminosity of the sun.”

Review by Edward Goldman continues…

Lia Halloran’s largest work to date, The Sun Burns My Eyes Like Moons, with its layering and processes of cyanotype, photographic negatives and positives, and various mark-making, speaks to the artist’s ongoing interest in bringing scientific concepts, inventions, and experiences into a contemporary art setting.